Δευτέρα 19 Ιανουαρίου 2026

REVIEW: MAGIC KINGDOM – Symphony of War

 


MAGIC KINGDOM – Symphony of War


Limb Music


Six years after their Metallic Tragedy release, MAGIC KINGDOM return with a doubleCD album that aims to offer their fans more than enough quality listening time. For those unfamiliar with the band, their sound is rooted firmly in power metal, enriched with strong neoclassical elements. Describing them as a blend of YNGWIE MALMSTEEN and RHAPSODY is not far from reality, and this new work also reveals touches reminiscent of EDGUY—most notably in “Million Sinners World”—and RIOT, as heard in “Monte Cristo.”


Originality may not be the band’s primary pursuit here, yet the album compensates with inspiration, passion, and a sense of freshness that keeps the experience engaging. Despite its generous running time of over 80 minutes, the album flows effortlessly, never feeling tiring or overstretched.



The first CD delivers straightforward heavy/power metal tracks—the kind designed to be played loud, with memorable choruses and energetic riffs. The second CD, Metallic Tragedy – Chapter 2: The Holy Pentalogy, shifts into a more ambitious direction: a metal symphony filled with epic, atmospheric passages and powerful guitar-driven climaxes.


What elevates Symphony of War is the musicianship, particularly the work of guitarist Dushan Petrossi. His technical ability is evident, yet he avoids unnecessary showmanship, using his skill to enhance the compositions rather than overshadow them. The result is a colourful, cohesive album that stands out in a genre where true quality has become increasingly rare.


For listeners who appreciate neoclassical power metal, Symphony of War offers a compelling and well-crafted experience—one that fans of the style will likely consider essential.


Nick  Parastatidis


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