Κυριακή 25 Μαΐου 2025

REVIEW: SERAPHIM -日出東方 / Rising

 


SERAPHIM -日出東方 / Rising


Magnum Music


Seraphim’s “Rising” is the last known release from the Taiwanese band, having come out on September 15, 2008. Since then, their fate seems to have faded into obscurity, with little news about their future. However, "Rising" remains a solid example of their talent and passion for music.


Musically, the album belongs to the European power metal style, with a heavy influence from symphonic and neo-classical metal elements. Fans of Finnish bands like Stratovarius, early Nightwish, and Children of Bodom will find familiar influences here, especially with the occasional male growls that creep into the mix. The album’s sound is clearly shaped by the likes of Yngwie Malmsteen and Helloween, which gives it a technical edge and a melodic richness that draws you in from the first track.


What stands out most about "Rising" is its melodious intensity. The album is a journey that flows without feeling overly exhausting. The musicians’ technical abilities are on full display, and there’s no denying that the band pours their heart into every note. It’s clear these are musicians who love what they do, and that passion shines through.



While the album has its strengths, there are a few drawbacks worth mentioning. One of the main issues is that many of the compositions feel overloaded with ideas, making it hard for some melodies or riffs to stick. Without a central, memorable motif to anchor the songs, they occasionally get lost in a sea of complexity. The use of only female vocals throughout the entire album also feels somewhat one-dimensional, especially when paired with the album’s lengthy runtime of just under 68 minutes. The repetition and lack of variety in vocal delivery can make the listening experience feel monotonous. A more direct approach with a bit less grandeur might have made the album feel more dynamic.


That said, there are standout tracks on the album, such as *起舞的春風* ("Spring Wind"), *璀璨世紀* ("Resplendent Century"), and *訴不盡* ("No More"). *No More* is, for me, the most emotional and memorable song on the album, offering a poignant contrast to the more bombastic moments. It’s a track that sticks with you, showcasing the band's emotional depth and ability to weave melody into their symphonic metal framework.


In conclusion, “Rising” is a well-crafted effort from a band with impressive technical skills and a genuine love for the genre. It may not have the standout moments that elevate it to classic status, but it’s a solid album for fans of melodic and symphonic power metal, especially those who are drawn to the Nordic influences that permeate the genre. While it may not be the most memorable album out there, it’s clear that Seraphim put their heart and soul into it.


Nick Parastatidis


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