Τρίτη 7 Απριλίου 2026

REVIEW: OBSZON GESCHOPF – Symphony of Decay

 


OBSZON GESCHOPF – Symphony of Decay


Twilight Vertrieb Records


I’ll keep this concise, because this is one of those albums I’m ready to file away and not revisit. OBSZON GESCHOPF, a French band active since 1996, return with their fifth studio album, offering their take on industrial thrash metal.


Industrial metal has never been a genre I gravitate toward, and I only tolerate it when the electronic elements are used sparingly or blended with more traditional metal structures. Here, both the industrial and electronic components are present in overwhelming quantities. More than once I found myself irritated by the songwriting choices, and at times the electronic flourishes felt so exaggerated and juvenile that they became unintentionally comical. Yet the dominant sensation from start to finish was simple, unshakeable boredom.



The songs follow nearly identical patterns, with a rhythm section that never deviates from its formula. The downtuned guitars and deep, hoarse growls—vocals that often sound as if the singer recorded them while fighting off a cold—do little to elevate the material. Stripped of its industrial coating, what remains is straightforward, extremely typical thrash metal. Unfortunately, “typical” is the operative word: the album feels predictable, repetitive, and ultimately uninspired.


Symphony of Decay may appeal to listeners who enjoy industrial metal in its most saturated form, but for me, it offered little beyond monotony.


Christine  Parastatidou


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