RAM
– Under the Scythe EP (2011)
High Roller Records
Miracles do happen, after all — or perhaps, as James
Bond would put it, one should "never say never." Until this release,
I was no particular fan of RAM. I had heard plenty of praise for the Gothenburg
outfit over the years, yet the band's sound had never quite won me over. Then
came this 7-inch single, and it made me sit up with genuine enthusiasm.
Formed in Gothenburg, Sweden, RAM has spent nearly two
decades building a reputation as one of the most steadfast torchbearers of
traditional heavy metal, a band frequently likened to a younger, more forceful
incarnation of Judas Priest. On "Under the Scythe," that comparison
rings truer than ever. Fronted by Oscar Carlquist, with Daniel Johansson and
Harry Granroth trading twin-guitar leads, Tobias Petterson on bass and Morgan
Pettersson behind the kit, the band delivers exactly the kind of heavy metal
that demands to be played loud: soaring, high-pitched vocals, passionate
musicianship and an inspiration that never runs dry.
The title track, "Under the Scythe," seizes
the listener from its very first note. Built on unmistakably Judas
Priest–informed foundations, it is the sort of song engineered for head-banging
and singing along in equal measure — so effective, in fact, that RAM would
later revisit it as the title track of their 2012 album Death, released through
Metal Blade Records.
The single's second offering, "Evil," is
where the band truly proves its mettle as musicians. Far from a simple album
cut, this is a cover of Mercyful Fate's classic from the Danish band's landmark
1983 album Melissa — and RAM does not tackle it alone. The track features guest
vocals from Hellbutcher of the Swedish cult black metal act Nifelheim, turning
the song into a genuine duet and adding a raw, unexpected edge to the
performance. The result plays like Mercyful Fate colliding with early Iron
Maiden, and it is nothing short of exhilarating.
Released on 13 May 2011 through the ever-reliable High
Roller Records, Under the Scythe stands as one of the finest EPs of recent
memory — a compact, potent statement of everything that makes 80s-influenced
heavy metal worth returning to.
Nick Parastatidis


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