SONIC
PROPHECY - A Divine Act of War
Independent
Sonic Prophecy is a relatively new band originating
from Utah, USA, presenting their debut album titled A Divine Act of War. The
band previously released an EP in 2009, simply titled 2009 EP, which was
well-received and showcased their ability to craft energetic power metal with a
distinctive style.
This latest work marks a notable stylistic shift from
their earlier sound. The band has transitioned from a straightforward power
metal approach to a more symphonic power metal style, emphasizing orchestral
and symphonic elements within their compositions. The album demonstrates a
competent integration of these elements, showcasing the band's musical growth and
production capabilities. Notably, the album's sound quality surpasses that of
their earlier EP, and it includes a 16-page full-color booklet, a feature that
is somewhat uncommon for independently released material.
The album maintains a cohesive flow, and certain
guitar riffs and motifs that characterized their initial work are still
present, providing some continuity for fans of their earlier style. Among the
tracks, “Call of Battle” and “Canticle” stand out as highlights due to their
impactful arrangements and engaging melodies.
While the album’s emphasis on symphonic elements may
appeal most to fans of symphonic metal, it is worth noting that the band
executes this style with proficiency. However, personal preferences regarding
symphonic metal may influence individual reception. For listeners who
appreciate well-played symphonic or melodic metal, this release offers a solid
example of the genre, with competent musicianship and attention to production.
In summary, Sonic Prophecy emerges as a promising new
band capable of adapting and executing different metal styles effectively.
Their dedication to their craft is evident, and whether one prefers their
original power metal or their current symphonic direction, their musicianship
is commendable. Fans of symphonic metal are likely to find this album a
worthwhile addition to their collection.
Ioannis
Kaskamanidis
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