VISIONS OF ATLANTIS, fresh off a successful North
American tour, are gearing up to release their second single,
"Monsters," from their upcoming album, Pirates II – Armada, slated
for July 5, 2024, via Napalm Records. Building on the momentum of their
previous chart-topping release, Pirates (2022), the band promises a heavier symphonic
journey with their new album. "Monsters" captures the struggle
against inner demons, blending calm passages with powerful refrains showcasing
vocalists Clémentine Delauney and Michele Guaitoli. With this teaser, the band
asserts their readiness to dominate the symphonic metal scene and prepares for
an extensive European tour, starting with an album release show on July 6,
2024. Michele Guaitoli reflects on the theme of facing inner monsters,
signaling the band's fearless approach to their music and their upcoming tour.
Belgian band PVRS, known for their unique blend of
Atmospheric Sludge and Post-Metal, recently dropped their latest single titled
"That's Allright." The track was recorded at "THE PALE
FLAME" and underwent mixing/mastering by Benjamin Matlet. PVRS, founded in
2023 by Jean-Pierre Mottin and Twan Landrin, distinguishes themselves with a
fusion of soaring melodies and heavy riffs, pushing the limits of traditional
doom metal. Influenced by groups such as Deftones, Sleep Token, and Type O
Negative, PVRS offers an immersive musical journey for their audience.
Εμένα
πάντως το τρίτο πλήρες αλμπουμ των Δανών Progressive Power Metalers όταν τον
βλέπω μου θυμίζει τους προπάτορες του prog γενικά, τους Rush. Κάτι το εξώφυλλο,
κάτι αυτό το Moving....που φέρνει βέβαια στο μυαλό το άλμπουμ Moving Pictures
των προαναφερθέντων Καναδών, εν τέλει οι επιρροές σταματούν εκεί. Οι ομάδα με
τον κύριο D.C. Cooper στο μικρόφωνο εδώ είναι σε μία κατηγορία δική τους. Ίσως
το καλύτερο άλμπουμ τους (κονταροχτυπιέται ανοιχτά με το Paradox δύο χρόνια
μετά ο δίσκος αυτός, για τον τίτλο) για τη δεκαετία του '90. Τα πιο τρανταχτά
παραδείγματα εδώ, Last Goodbye, 1348, Makin' A Mess, Far Away, Autograph, Give
ot Up, Time είναι στη τροχιά του νεοκλασικού ήχου του οποίου είναι φορείς
συνθετικά, αλλά και προοδευτικά metal κομμάτια ταυτόχρονα. Μελωδία και
συναισθήματα στη μουσική τους που μένουν αξέχαστα.
English
Text:
Does this remind you of something?
To me, the third full album of the Danish Progressive
Power Metalers brings to mind the progenitors of prog in general, Rush.
Something about the cover, something about that "Moving..." which
certainly brings to mind the album "Moving Pictures" of the
aforementioned Canadians, but ultimately the influences stop there. The team
with Mr. D.C. Cooper on vocals here belongs to a category of their own. Perhaps
their best album (it's a close call with "Paradox" two years later,
for the title) for the '90s decade. The most striking examples here, "Last
Goodbye," "1348," "Makin' A Mess," "Far
Away," "Autograph," "Give it Up," "Time,"
orbit the trajectory of the neoclassical sound of which they are compositional
bearers, but also progressive metal pieces simultaneously. Melody and emotions
in their music that remain unforgettable.
The
"Jehovah On Death" is an Occult Rock band from Athens, formed in
2020, featuring a congregation of sinners centered around the enigmatic figure
of "La Señora Dolorosa". Drawing inspiration from Spanish
Catholicism, music, poetry, and medieval beliefs, they aim to evoke a new
'Satanic Panic' through their music and image. Their latest EP, "Goya's
Witches", includes the titular single, continuing their exploration of
themes of love and death.
CHALICE
OF MALICE, an American Melodic Heavy/Power Metal band, has unveiled their debut
album titled "The Pillars of Hercules." Recorded, mixed, and mastered
by Scott Young at "Nothingland Studios" in Cleveland, OH, the release
marks a significant milestone for the band. Originating in Cleveland in 2003,
Chalice Of Malice was initially conceived as a side project by Scott Young
(Vocals/Guitars) and Tony Howard (Vocals/Bass), aiming to delve into the realm
of Power Metal songwriting. Their journey began with the creation and recording
of the demo "The Desert Under the Earth." Over the years, the lineup
has evolved to include Taylor Netzler (Vocals/Guitars) and Chris Hoffman
(Drums), shaping the band's distinctive sound and musical identity.
Και
δικαιώνεται πανηγυρικά στον δεύτερο αυτόν δίσκο των πέντε μουσικών απ' τη μεταλομάνα Δανία, μετά το ντεμπούτο τους το κλασικό Red Hot and Heavy τρία
χρόνια πριν. Ευρωπαϊκό Hard and Heavy που κλείνει στοv εκκολαπτόμενο τότε Power
Metal ήχο, (και κάποιοι άλλοι πιτσιρίκοι απ' τη Γερμανία ονόματι Helloween στον
δικό τους δεύτερο δίσκο την ίδια χρονιά, έχουν hit με ίδιο τίτλο με τούτους
εδώ!) με περίσσια πλήκτρα και βεβαίως το ομώνυμο κομμάτι Future World
(αυτόπροφανώς εννοώ πριν για τους
Helloween) να ανοίγει το σετ των τραγουδιών , ένα κομμάτι που έχει παιχτεί
εκατοντάδες χιλιάδες φορές (τρίτη παρένθεση, όπως και τοομώνυμο του των Helloween Ε;) στα κλαμπ και
τα μέταλ καφέ και μπαρ απανταχού της δικής μας επικρατείας και γενικά του
πλανήτη. Ακολουθούν τα Loud N' Proud , Yellow Rain, Rodeo, We Came To Rock, Eye
of the Storm, Long Way To Go σε ένα ξέφρενο 80s metal σύνολο.
English
Text:
The struggle has finally been vindicated.
And what a celebration it is on the sophomore album by
these five metal enthusiasts from Denmark, following their classic debut 'Red
Hot and Heavy' three years prior. This European Hard and Heavy sound borders on
the burgeoning Power Metal style of the era (and let's not forget those other
youngsters from Germany called Helloween, who also released their second album
the same year, featuring a hit with the same title as this one here!) With an
abundance of keyboards and, of course, the eponymous track 'Future World'
(which, obviously, I meant before for Helloween) kicking off the song set. It's
a track that's been played hundreds of thousands of times (third parenthesis,
just like the eponymous track of Helloween, right?) in clubs, metal cafes, and
bars throughout our dominion and indeed across the planet. Following that are
'Loud N' Proud', 'Yellow Rain', 'Rodeo', 'We Came To Rock', 'Eye of the Storm',
'Long Way To Go' in an electrifying 80s metal medley.
Canadian
power metal band UNLEASH THE ARCHERS is gearing up for the release of their
highly anticipated sixth studio album, "Phantoma," scheduled to drop
on May 10, 2024, through Napalm Records. With a series of well-received singles
such as "Green & Glass," “Ghosts In The Mist,” and “Seeking
Vengeance” setting the stage, the band introduces fans to the album's grand
finale anthem, "Blood Empress." This track, born from collaborative
creativity during the recording process, blends dark yet triumphant tones with
catchy melodies, reflecting the culmination of Phantoma's journey within the
album's narrative. As vocalist Brittney Slayes explains, "Blood
Empress" serves as a dynamic addition to their repertoire, poised to
captivate audiences with its radio-friendly rock vibe while encapsulating the
essence of the album's overarching themes.
"Phantoma"
offers listeners a multifaceted experience, inviting them to join protagonist
Phantoma on a compelling exploration of a dystopian future plagued by the
illusions of social media. Through their signature blend of power metal,
traditional heavy metal, modern prog, and pop influences, UNLEASH THE ARCHERS
craft a narrative-rich tapestry that intertwines sharp musicality with
thought-provoking social commentary. With "Blood Empress" as a
fitting conclusion, the band leaves audiences eager to immerse themselves in
the album's intricate storytelling and dynamic soundscapes, ensuring a journey
that resonates long after the final notes fade away.
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