Παρασκευή 22 Αυγούστου 2025

REVIEW: HOUSE OF LORDS – Big Money

 


HOUSE OF LORDS – Big Money


Frontiers Records


House of Lords, a veteran band renowned within the melodic rock and hard rock scenes, continues to demonstrate their enduring craft with their eighth studio album, “Big Money”. Having established a significant reputation with classic releases such as “House of Lords” (1988) and “Sahara” (1990), the band has maintained a consistent output over the past decade, reaffirming their place within the genre.


The album opens with the track “Big Money,” a high-energy rocker characterized by a prominent riff and driven by vocalist James Christian’s confident delivery. The song sets an assertive tone, blending a hard-edged attitude with melodic sensibilities. Following this, “First to Cry” emerges as a standout track, showcasing strong songwriting with memorable hooks and melodic richness that could be considered among the band’s finest work in recent years.



“Big Money” offers a diverse array of compositions that reflect the band’s versatility. For instance, “Living in a Dream World” features a harder, nearly metal-leaning sound, complemented by an oriental-inspired riff that adds an exotic flavor. The blues-infused “Searchin’” demonstrates the band’s ability to incorporate different influences while maintaining their melodic core. The album also revisits classic House of Lords themes with tracks like “One Man Down,” “Seven,” and “Once Twice,” which lean towards arena rock, emphasizing strong choruses and anthemic qualities.


Overall, “Big Money” is a solid addition to the band’s discography. It showcases a band that, while rooted in their traditional melodic rock style, is capable of exploring different sonic territories without losing their identity. The songwriting is consistent, and James Christian’s vocal performance remains a key strength. While it may not radically reinvent their sound, it offers a satisfying listening experience for fans and newcomers alike who appreciate well-crafted melodic rock with a touch of hard-edged intensity.


Chris  Kappas


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