Τρίτη 26 Νοεμβρίου 2024

REVIEW: DESERT NEAR THE END - Tides of Time

 


DESERT NEAR THE END - Tides of Time


Theogonia Records


On the question of whether thrash metal can be combined with epic metal, the Americans OVERKILL provided a very convincing answer with their release “Taking Over”, as did their compatriots MANILLA ROAD with the album “Out of the Abyss”. Despite these memorable works, the fusion of epic and thrash metal remains a challenging and, above all, rare endeavor. 


Another question is whether a band can reinvent its sound without losing its identity. Some major bands have provided a compelling answer to this, such as JUDAS PRIEST and METALLICA up until the “Black Album”. However, the result often disappoints fans (e.g., OMEN – “Reopening the Gates”, JAG PANZER – “Dissident Alliance”). 


To address these two admittedly tough questions, we now have DESERT NEAR THE END with their latest release, “Tides of Time”. This is a truly noteworthy album for this year, one that I believe will shake up the Greek metal scene and, perhaps, the international one as well. And I say this with no intention of exaggerating. 



If you’ve listened to the band’s previous releases, you’ll find this work familiar. The band retains the thrash metal core of their sound while enriching it harmoniously and creatively with epic elements. You can’t help but be moved by tracks like *Damnation*, which combines male and female vocals with an epic doom metal atmosphere reminiscent of bands like DOOMSWORD and CANDLEMASS, while also featuring bursts of thrash metal energy. Another personal favorite, *Ascension*, carries an aesthetic that evokes OMEN and RUNNING WILD. Without delving too much into specifics, every track on this album has something valuable to offer the listener. 


In short, DESERT NEAR THE END have achieved something pivotal for their career with this release: they’ve reinvented their sound without losing their identity. Most importantly, they’ve delivered an exceptional and high-quality epic thrash metal album while taking a step further by introducing a lyrical dimension to the genre. 


Nick Parastatidis


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