Πέμπτη 27 Μαρτίου 2025

WEDNESDAY 13 Drops Music Video for Latest Single "In Misery"

 


World-renowned frontman WEDNESDAY 13 is currently touring North America with his "There's No Such Thing As Monsters" tour, celebrating 20 years of Transylvania 90210. He has unveiled the second single from his upcoming album, *Mid Death Crisis*, set to release on April 25, 2025, via Napalm Records. Following the success of the catchy "When The Devil Commands," the new track "In Misery" is a blend of goth-punk and sleaze metal, featuring a captivating hook. WEDNESDAY 13 explains the song's theme, stating, “It’s about the misery of being in a bad relationship, exploring how some people find comfort in their suffering.”


VULVARINE Unveils New Single “Equal, Not the Same”

 


Austrian hard rock powerhouse VULVARINE is set to release their explosive new single "Equal, Not the Same" from their upcoming album, *Fast Lane*, dropping Friday, March 28, 2025, via Napalm Records. The track showcases sharp riffs and high-energy intensity, capturing the frustrations of being unheard while advocating for gender equality. Accompanied by a pulse-pounding music video, the single serves as a bold anthem celebrating individuality and resilience. VULVARINE recently rocked Europe on Thundermother's Dirty & Divine tour, and with this new release, they aim to leave fans around the world awestruck.


REVIEW: SAINT VITUS, LILLIE: F-65 (2012)

 


SAINT VITUS, LILLIE: F-65 (2012)


Season of Mist


Δεκαεφτά χρόνια απουσία.


Και μετά το Die Healing το 1995, αυτό είναι το επόμενο άλμπουμ των doom metal πρωτομάστορων. Επιστροφή για τον Wino στη μικρόφωνο και ο τίτλος που θυμίζει κάτι από μαχητικό αεροπλάνο και παραξένεψε πολύ κόσμο, δεν είναι τίποτα άλλο από ένα ηρεμιστικό που "βοηθούσε" προσφέροντας κατατονία, στη σύνθεση κομματιών! Μη το δοκιμάσετε στο σπίτι, περιέχει βαρβιτουρικά! Μουσική πάντα όπως τη θέλουμε όσοι γουστάρουμε το doom: Καταθλιπτική, Sabbath-ικη και Pentagram-ικη όσο δε πάει. 33 λεπτά κι εφτά μόνο κομμάτια που αγαπάμε σε ένα άλμπουμ που μας θύμισε ότι ναι, υπάρχουν και μπορούν να μας στείλουν στο σκοτάδι τους ακόμα. Let Them Fall, The Bleeding Ground, Vertigo, Blessed Night (οι Pentagram δεν τους έκαναν αγωγή ευτυχώς, ολόιδιο στυλ), The Waste of Time Dependence, Withdrawal είναι το υλικό εδώ και εμένα μου φάνηκε 10ρικο εξ αρχής, και τώρα πάλι δέκα του βάζω.


English:



Seventeen years of absence.


Following "Die Healing" in 1995, this is the next album from the doom metal pioneers. It's a return for Wino on vocals, and the title, reminiscent of a fighter jet and perplexing to many, is nothing more than a tranquilizer that "helped" in bringing about catatonia in the songwriting process! Don't try this at home; it contains barbiturates!


The music is exactly how we love it for those of us who are into doom: depressing, Sabbath-esque, and as Pentagram-influenced as it gets. With just 33 minutes and seven tracks that we adore, this album reminds us that yes, they still exist and can still take us into their darkness. "Let Them Fall," "The Bleeding Ground," "Vertigo," "Blessed Night" (thankfully, the Pentagram didn’t sue them; it’s the same style), "The Waste of Time," "Dependence," and "Withdrawal" make up the material here, and it struck me as a perfect ten from the very beginning. I rate it a ten again now.


Τάκης "Ε-Μortal One" Γιώτης!


INTERVIEW: BLACK REUSS

 


Genre: Melodic Gothic/Doom Rock/Metal


Country: Liechtenstein


Questions by: Nick Parastatidis


Answers by: Maurizio Dottores  (Vocals, All instruments)


Site: Homepage


1.Can you tell us a bit about the history of Black Reuss? How did the band start, and what led to the project?


Black Reuss began as a very personal journey. It’s a solo project that was born out of a deep need for expression—both musically and emotionally. The name itself comes from the Reuss river in Switzerland, which resonated with me symbolically as a representation of life’s flow—dark, sometimes turbulent, but always moving forward. I put Black bevor Reuss to symbolize my melancholic side, reflected of course in the music as well. I had played in other bands before, but Black Reuss was the first time I truly felt free to create something entirely on my own terms, without compromise.

 

2. How would you describe Black Reuss's sound to someone who has never heard your music before?


Black Reuss blends Melodic Gothic Metal, Darkrock, and Melodic Doom Metal into a sound that’s as atmospheric as it is emotional. It’s dark and introspective, with heavy, slow-moving riffs, layered melodies, and a strong sense of mood. There’s a gothic elegance to it, a rock foundation, and a doom-laden weight—all balanced with melodic elements that make the songs resonate on a deeper emotional level. It’s not just music—it’s a journey through light and shadow.

 

3. Your sound blends Melodic Gothic Metal, Darkrock, and Melodic Doom Metal. How do you balance these different elements in your music?


It’s really about intuition. I never sit down and say, “Now I need a gothic part” or “This needs more doom.” Instead, I focus on the emotional essence of a song and let the genres serve that feeling. Each element brings something unique: the gothic vibe gives it a dark elegance, the doom elements bring weight and gravity, and the melodic touches are there to connect on a deeper emotional level. It's all about serving the song.

 

4. Liechtenstein isn't a country typically associated with the metal scene. How does your location influence your music, if at all?


Liechtenstein is a small country, that’s true—but there are a lot of metal fans here. While we don’t have a huge scene in terms of bands or venues, the passion for metal definitely exists. That said, the size and atmosphere of the country naturally lend themselves to introspection and solitude, which influences my music. The quiet, the landscapes, and the sense of being somewhat outside the mainstream all feed into the emotional and atmospheric side of Black Reuss. It’s a perfect environment for creating something personal and unique.

 

5. Type O Negative and Black Sabbath are major influences. In what ways do these bands specifically impact Black Reuss's songwriting and overall aesthetic? Are there any other bands that influence you, or are the influences of a more unconventional nature?


My sources of inspiration go far beyond just those two bands. It’s often other people trying to put Black Reuss into a certain box by naming Type O Negative and Black Sabbath. Of course, both bands are great, and I do listen to them a lot. Type O Negative taught me the power of atmosphere and emotional honesty, even with a touch of irony or theatricality. Their slow grooves and layered textures really resonate with me. Black Sabbath, of course, laid the groundwork for everything heavy. Their sense of riff and tension is unmatched.


But aside from those, I draw inspiration from a wide range of sources—not just music. Classical compositions, film scores, literature... anything that evokes a strong emotional response can become fuel for the creative fire. It’s that emotional depth, no matter the medium, that I’m always chasing in my own music.

 

6. Do you find it difficult to be the sole musician?


It has its challenges, for sure. There are moments where you miss the immediate feedback or the collaborative energy of a band. But at the same time, it’s incredibly liberating. Every decision is mine, every sound is exactly as I envision it. It’s a very intimate process, and I wouldn’t trade that for anything. I collaborate when it makes sense, but the core of Black Reuss will always be a personal expression.

 


7. What themes and ideas inspire your lyrics?


The core themes are transformation, solitude, emotion, and the human condition. Black Reussfirst four album are essentially a metaphor for life’s journey, so the lyrics explore moments of change, inner struggle, and ultimately, growth. It’s about facing the darkness and finding a way through it—not necessarily with answers, but with awareness.

 

8. How would you describe the creative process for the "Arrival" album?


Arrival was very much about grounding myself in a new chapter. The creative process was immersive and introspective—I wrote, recorded, and produced everything myself. It was about capturing the essence of transition, of coming to terms with a new emotional reality. There were many late nights, a lot of experimentation, and a lot of soul-searching. Every note on that album means something to me.

 

9. The album is said to be part of a "tetralogy", when will be the next album released?


Yes, Arrival is actually the third part of a four-part concept. It started with Metamorphosis, followed by Journey, then Arrival, and the final chapter, Death, is planned for release in 2025. Right now, we’re deep in the preparation phase, so I can’t say exactly when it will drop, but it’s coming. Death will close the circle and bring the story to its final emotional and conceptual destination.

 

10. How would you describe the creative process for the "Arrival" album?


It usually starts with a guitar riff or a melody—sometimes both—and from there, one idea naturally leads to another until the song takes shape. I don’t force it; I let the music guide me. With Arrival, like with all my work, I really tried to squeeze out every emotion hiding within me. The music is deeply personal—I identify 100% with what I’m doing. There’s no filter, no mask. It’s raw, honest, and entirely from within me. Every note, every lyric reflects who I am and what I feel in that moment.

 

11. How did the collaboration with the other artists happen?


Collaboration is always something I approach carefully. When I bring someone in, it’s because their contribution adds something unique that I can’t provide alone. Whether it’s guest vocals, additional instrumentation, or mixing/mastering, it’s about enhancing the vision without diluting it. Most collaborations come through mutual respect—either people I’ve met over the years or artists whose work speaks to me. It’s a very intentional process.

 

12. I truly appreciate you sharing your perspective with me. Do you feel that we've covered everything you wanted to discuss, or is there anything you'd like to reiterate or clarify before we finish?


Thank you—it’s been a pleasure to dive deep into the world of Black Reuss. I’d just like to say that this project is not just music—it’s a narrative, a journey. I hope listeners can find pieces of their own story in it. And if they do, that means everything to me. I’m grateful for every ear that listens and every heart that resonates.


Τετάρτη 26 Μαρτίου 2025

DEATHGOAT reveal 1st song, cover art and tracklist for new album

 

Finnish Death Metal band DEATHGOAT has announced the release of their second full-length album, titled "Dragged Into Realms Below," set to launch on June 10th through Xtreem Music in CD, 12" LP, cassette, and digital formats. Formed in 2015 in Hyvinkää, Finland, DEATHGOAT released their first demo, "Rotten Salvation," in October 2018, followed by their debut album, "Regurgitated Into Existence," in January 2021. Originally a duo, the band expanded to a five-piece in 2020 and has since performed extensively throughout Finland. DEATHGOAT's musical style is influenced by both 90s Swedish and Finnish bands as well as modern elements, moving beyond the typical old school Death Metal revival.



Tracklist for "Dragged Into Realms Below" is as follows:


1. Alkulima

2. Pestilent Retribution

3. Congregation of Disease

4. Dying to Be Dead

5. Compulsive Cannibalism

6. Monoxcide

7. Flashback Psychosis

8. Clinically Undead

9. Dragged Into Realms Below


WARFIELD unleash third Single “Appetitive Aggression”

 


Animalistic rhythms and ferocious shrieks collide as German Teutonic thrashers WARFIELD unleash their third single, "Appetitive Aggression." Set to storm the scene with their Napalm debut *With The Old Breed* on April 4, 2025, this exhilarating track plunges into the primal, self-destructive essence of humanity, driven by lightning-fast riffs and an unyielding energy. Ruthless and insatiable, the song explores a relentless craving for power and destruction, embodying a raw, instinctual force.


WARFIELD describes “Appetitive Aggression” as a harrowing exploration of the human psyche amidst the chaos of battle. From the viewpoint of the protagonist, listeners are drawn into a world where societal norms and moral concerns dissolve, leaving only instinct in its wake. The music mirrors this escalating brutality, pulling us into an exhilarating frenzy, ultimately leading to a profound realization: in the heat of conflict, there's nothing more genuine than the visceral experience of pure aggression. This track serves as a dark journey into the depths of the human soul, unveiling the twisted transgressions that lie within.


UNGOLIATH released new EP

 


German Black Metal band Ungoliath has released their new EP titled «The Fourfold Descent», which was recorded, mixed, and mastered by Steffen Kraatz in his home studio. Formed in 2002 in Berlin by Bane, the band is known for their haunting black metal that draws from the dark lore of Tendalied. Their raw debut demo garnered underground acclaim, and a rare live performance in 2011 left a lasting impact. With atmospheric soundscapes and evocative lyrics, Ungoliath immerses listeners in mystery and darkness, guiding them through shadowy realms. The band remains committed to artistic evolution as they continue to carve their path into the abyss.