NULL’O’ZERO – The Enemy Within
Rock
Of Angels Records
In
our days it is really impressive how quickly the bands are formed and release
album. I think that it has to do with the quality of the musicians we have and
the evolution of technology which has reduced the cost of the production of an
album and in general has made the life of musicians easier. NULL’O’ZERO were
formed in 2012 in Athens and after an EP in the same year, now they release
their debut album with the title “The Enemy Within”.
THE COVER: The
technique of the painting on the cover reminded me the covers of FIREWIND. It
has this vague depiction of a human sculpture that looks like ascending on the
stars. The statue on its left hand holds a lamp. Also he is penetrated by lava
and another hand. On his back you can see a double moon that is set in flames.
It is an impressive cover, but I really can’t find the connection it has with
the lyrics.
MUSICAL STYLE: NULL’O’ZERO’s
sound is a crossover between heavy and thrash metal I have to say. They combine
leads and melodies taken from traditional metal and are influenced by such
bands like IRON MAIDEN and JUDAS PRIEST and combine them with thrash metal
riffs that reflect their bay area origin. Also the band uses a modern and down
tuned sound that gives to the whole album more volume. Actually their sound can
be described as modern heavy/thrash metal that emphasizes on the aggressive
aspect. Perhaps because of this emphasis the album, from a point on, lacks in
variety, since in my opinion they need to add more melodies that will give to
the compositions more character. However, the album is not bad at all, since a
lot of work has be done here and the lead and solo parts are really exceptional
without ignoring the accurate and steady rhythm section which is the canvas
upon the guitars “paint”. I think that this is a release that friends of groups
like NEVERMORE, ICED EARTH and modern EXODUS will enjoy to listen to.
CONCLUSION: In
their debut album NULL’O’ZERO prove to be a band that puts a lot of effort and
soul on what they do, they have also shown an exaggeration on the aggressive
part of their sound, although they can create some good melodies too. I think
that if they try to give more space to melodies without losing the aggressive
aspect, they will do wonders on their upcoming releases. This doesn’t mean that
this album should be ignored, because it has plenty of good moments to offer to
the listener.
Nick “Verkaim” Parastatidis
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