REVIEW: KAOS KREW – Global Fobia

 

KAOS KREW – Global Fobia (2011)

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Information regarding KAOS KREW remains relatively sparse, though a cursory search classifies them as an industrial metal act—a descriptor that is accurate for the most part. Their music possesses the requisite edge, biting aggression, and electronic textures characteristic of modern industrial metal. However, the band successfully reshapes these foundations by seamlessly incorporating a broader range of heavy metal influences.

The opening trio of tracks on Global Fobia presents almost unadulterated industrial metal. From the fourth song onward, however, KAOS KREW reveals a far more nuanced, multi-faceted approach. Vocals are kept to an absolute minimum—and are entirely absent on several tracks—allowing the instrumental architecture to take center stage. The band members showcase remarkable craftsmanship, constructing intricate melodic themes and fluid, elaborate guitar solos. These lead lines are anchored by a rock-solid rhythm section and enriched by spacey, atmospheric keyboard textures.

As the album progresses, the focus shifts noticeably toward these guitar and keyboard arrangements. At times, the overall tone, soaring feel, and progressive aesthetics evoke the instrumentally driven work of Joe Satriani, even if the direct songwriting remains distinct. Ultimately, while Global Fobia initially presents as a standard contemporary industrial metal release, a complete listen uncovers a far more versatile and distinct sonic identity beneath the surface.

Christine  Parastatidou