Παρασκευή 30 Ιανουαρίου 2026

REVIEW: SAMANDRIEL – Awakening

 


SAMANDRIEL – Awakening


Independent


Originally reviewed: 2010


When I noticed their country of origin, I had a feeling this would be a worthwhile listen. Canada’s metal scene has a consistent track record—more often than not, it produces bands that deserve attention—and SAMANDRIEL fit comfortably within that pattern. With their sixtrack EP Awakening, the band operate broadly within the symphonic metal realm, yet they avoid many of the genre’s familiar pitfalls.


Yes, the expected elements are present: operatic female vocals paired with harsh male growls, both executed effectively. But beyond that, SAMANDRIEL make a clear effort to carve out a sound that feels personal rather than derivative. Their music draws from traditional heavy metal, progressive rock/metal, and power metal, blending these influences into something that aims for character rather than theatrics.



What stands out most is their restraint. Instead of relying on pompous arrangements or unnecessary bombast—common traps in this style—the band focus on crafting songs that balance dynamism with atmosphere. The result is an EP that feels fresh within a genre that often repeats itself.


Awakening suggests a band moving in the right direction, one that seems intent on developing its identity without chasing trends or cheap impressions. Fans of symphonic heavy/power metal should give this release a listen and decide for themselves where SAMANDRIEL might be headed.


Personal highlights: “Holy Load,” “Demise of the Icewitch,” and “Harmonious Madness.”


Nick  Parastatidis


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