Τρίτη 12 Αυγούστου 2025

REVIEW: VALHALL – Red Planet

 


VALHALL – Red Planet


Housecore / Hammerheart Records


Valhall, a Norwegian band established in 1987, exhibits a notable evolution in their musical style over the years. Initially emerging as a black metal act, the band transitioned into a doom metal sound that reflects a significant departure from their early extreme metal roots.


Red Planet is their third full-length album, and its re-release offers an opportunity to evaluate their current artistic direction. The album primarily adheres to traditional doom metal aesthetics, drawing influence from foundational bands such as Black Sabbath. The sound is characterized by clean vocals, complemented by prominent keyboard arrangements reminiscent of Deep Purple, which introduce psychedelic and atmospheric elements. Additionally, the album incorporates jazz influences and more energetic, rock-oriented components, resulting in a diverse sonic texture.


A standout track is "Made in Iron," distinguished by its NWOBHM (New Wave of British Heavy Metal) influence. This piece introduces a slightly more aggressive and energetic style, making it particularly memorable within the context of the album.



The remaining tracks maintain a consistent mood and style but tend to follow familiar doom metal tropes. While the album is well-produced and engaging, it does not significantly break new ground within the genre. Consequently, it may be perceived as somewhat predictable or conventional, offering familiarity rather than innovation. The overall sound is polished, yet it may lack the emotional intensity or originality needed to distinguish it markedly from other releases in the genre.


In summary, Red Planet reflects Valhall’s mature and refined approach to doom metal, demonstrating solid songwriting and execution. However, from an analytical perspective, it may be considered somewhat standard, with limited elements to elevate it beyond the typical offerings of contemporary doom metal.

Christine  Parastatidou


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