THE
COLOR OF RAIN (TCOR) - Oceans Above
Void Wanderer Productions (VWP)
The truth is, as a devoted fan of traditional metal and the classic forms it upholds, I had never delved into the realm of "post-black metal," a term claimed by THE COLOR OF RAIN (TCOR) in their music. However, life has a way of teaching you things, and with the release of their latest album "Oceans Above" slated for November 7, 2023, I decided to explore this genre.
In a nutshell, "post-black metal" appears to
be a musical genre that melds the core elements of black metal with influences
drawn from various other music styles. This description seems quite fitting
based on what I've heard in "Oceans Above."
Upon listening to this release, my initial impression
is that TCOR is on a mission to craft an atmospheric, dark, and melancholic
soundscape. This choice aligns seamlessly with their lyrical exploration of
existential themes, particularly the existential futility of life. In essence,
their music beautifully complements the overarching concept they are tackling.
TCOR's music is a fusion of black metal and death
metal influences, often characterized by technicality and even a touch of
progressive elements. The compositions maintain a moderate tempo and
occasionally veer towards the brooding soundscapes of doom metal. This
amalgamation of musical elements creates a soundscape that is both dark and, at
times, epic in scope.
In their bio, TCOR cites musical kinship with bands
such as HARAKIRI FOR THE SKY, MGLA, DEATHSPELL OMEGA, MARE COGNITUM, CYNIC,
ULCERATE, REVOCATION, and AT THE GATES. I find this to be an apt comparison,
but I would also add that their work evokes reminiscences of OPETH's early
catalog.
In summary, TCOR's latest album effectively translates
their intended emotions and musings into a sonic experience. Their music crafts
a moody, profoundly atmospheric ambiance that has the power to transport
listeners on a profound journey. Enthusiasts of atmospheric and progressive
extreme music should undoubtedly keep an ear out for this release.
Nikolaos Parastatidis
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