SLANDER - Take it to the Grave
Stormspell
Records
In
1991, the Lancashire-based band Slander made their mark on the underground
scene with their debut, "Careless Talk Costs Lives". Sixteen years
later, in 2007, they returned with "Resolution Defiance", and now,
after another eight years, they deliver their third album, "Take it to the
Grave". This new release marks the reunion of their two original
guitarists from 1991, setting high expectations for the result.
"Take
it to the Grave" is an album deeply rooted in the classic heavy metal
sound. The band remains faithful to tradition, with the NWOBHM element emerging
with complete authenticity. The initial compositions, in particular, pay
tribute to the power of Saxon, creating a direct and powerful introduction.
Despite
this, their sound isn't stuck in the past. Slander incorporates influences from
other scenes as well. There are clear elements of US power metal, reminiscent
of bands like Leatherwolf and Shock Paris, which adds an extra technical
dimension. At the same time, the album carries the solid force of Blitzkrieg
and the distinctive, melodic approach of Diamond Head.
Rhythmic
complexity is also present, with signature galloping riffs that bring to mind
Cloven Hoof, and also Iron Maiden, especially in the song "Deguello",
which serves as a clear nod to the legends of the genre.
The
album's peak comes with the title track, "Take it to the Grave".
Here, Slander combines the epic speed of Running Wild with the steely
production and relentless power of Judas Priest during the Painkiller era. It's
a punchy song that perfectly encapsulates the strength of the band's reunion.
In
summary, "Take it to the Grave" is an album that respects the history
of heavy metal but remains relevant. Slander delivers a record of genuine heavy
metal that honors its roots by incorporating elements from different scenes
without becoming anachronistic. It's a worthy return that will satisfy fans of
the classic sound and serve as a benchmark for how a band can stay true to its
core while simultaneously evolving.
Nick
Parastatidis


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