REVIEW: ANKHAGRAM – Neverending Sorrow

 

ANKHAGRAM – Neverending Sorrow

Stygian Crypt Productions

Originally reviewed in 2010

ANKHAGRAM is a one‑man project from Russia, active since 2005 and impressively productive for a solo endeavor. By the time Neverending Sorrow appeared, the project had already delivered several full‑length albums, singles, and split releases—clear proof of a musician who works steadily and with purpose.

Neverending Sorrow, the project’s second studio album, has recently been re‑released with fully remastered tracks and new artwork. The production is undeniably solid: clear, heavy, and balanced, allowing every layer of the six compositions to be heard without the usual murkiness that often plagues atmospheric doom/death releases.

Musically, ANKHAGRAM stays firmly within the boundaries of atmospheric doom/death metal, enriched with occasional gothic and ambient elements. The approach is straightforward and familiar—competent, but not particularly adventurous. This doesn’t make the album a poor effort; it simply means that listeners seeking innovation or a fresh take on the genre may not find much to surprise them here. On the other hand, dedicated doom/death enthusiasts who appreciate the genre’s traditional forms will likely connect with its mood and consistency.

The standout moment is “…End of Everything…,” a compelling reinterpretation of Frédéric Chopin’s “Marche Funèbre,” handled with respect and a genuine sense of atmosphere

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In the end, Neverending Sorrow is a well‑crafted release aimed squarely at genre purists. Those deeply invested in doom/death metal will find value in its sincerity and mood, while more casual listeners may feel they’ve walked this path many times before.

Christine  Parastatidou