Τετάρτη 16 Ιουλίου 2025

REVIEW: BLACK ROSE - The Mirror

 


BLACK ROSE - The Mirror


Sleaszy Rider SRL


Swedish hard rock stalwarts Black Rose have delivered their eighth full-length album, "The Mirror," via Sleaszy Rider SRL, an impressive testament to their enduring passion and seasoned craftsmanship. Formed in 1990, Black Rose carries a rich legacy, wisely navigating the waters of the ever-evolving music landscape while staying true to their core sound, without ever being confused with their namesakes in other genres.


"The Mirror" is a potent concoction, primarily rooted in the anthemic hard rock sounds of the 1980s, yet skillfully expanding into the more intricate realms of melodic heavy metal. What truly sets this album apart is its remarkable ability to sound both deeply dedicated to its retro influences and refreshingly modern and contemporary. This duality is a hallmark of a band that understands how to harness the power of cutting-edge production without sacrificing the authentic spirit of classic rock. The sonic clarity, punchy drums, and crisp guitar tones ensure that "The Mirror" resonates with a vibrancy that appeals to both long-time aficionados and new listeners.


The guitar work on "The Mirror" is particularly noteworthy, displaying a captivating blend of influences. Listeners will immediately recognize the neoclassical flourishes and dazzling technicality reminiscent of Yngwie Malmsteen, adding a virtuosic flair to the solos and lead melodies. This precision is perfectly balanced by the highly melodic, memorable, and often anthemic guitar leads that evoke the signature style of Europe, particularly their iconic "The Final Countdown" era. This combination ensures that the album's instrumental passages are both excitingly intricate and undeniably catchy.



Delving deeper into the album's compositions, "The Mirror" proudly carries the unmistakable Scandinavian hard rock and metal identity of the 80s. The powerful vocals, robust songwriting, and a penchant for infectious hooks bring to mind legendary acts such as Europe and Denmark's Pretty Maids, especially when the band leans into their more aggressive, riff-driven melodic metal side. For moments that delve into a more traditional heavy metal vein, the album conjures images of New Wave of British Heavy Metal (NWOBHM) pioneers like Tygers of Pan Tang and the youthful, energetic spirit ofearly Def Leppard (think “On Through the Night” or “High 'n' Dry”). Furthermore, the album's more commercial and accessible metal anthems also bring to mind the polished, powerful sound of Saxon from their more commercial era. The subtle infusion of 1970s hard rock influences, echoing the heavy grooves and blues-infused power of bands like Deep Purple, provides a foundational depth that enriches the entire listening experience. It's a clear nod to their roots, offering a powerful, rhythmic backbone to their melodic prowess.


The enduring influence of Thin Lizzy's seminal 1979 album "Black Rose: A Rock Legend" also appears to permeate the band's very identity, suggesting a respectful homage to a classic that undoubtedly shaped their formative years.


In conclusion, "The Mirror" stands as Black Rose's eighth full-length release, a testament to their unwavering commitment and evolution over three decades. It is, unequivocally, a very pleasant and exceptionally well-done album that skillfully merges the nostalgic charm of classic hard rock and melodic metal with a fresh, contemporary production. For anyone seeking a powerfully executed, melodically rich, and thoroughly enjoyable journey through the annals of heavy music, "The Mirror" is an absolute must-listen.


Nick Parastatidis


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