REVIEW: DIMMU BORGIR – Abrahadabra

 

DIMMU BORGIR – Abrahadabra

Nuclear Blast Records

“Abrahadabra”, released by Nuclear Blast Records in 2010, presents Dimmu Borgir's continued exploration of symphonic black metal. This album incorporates a significant presence of synthesized elements and effects, which contribute to its overall sonic landscape.

A notable characteristic of “Abrahadabra” is the prominent role of synthesizers and effects throughout the compositions. These layers are a dominant feature in the album's sound, and their integration creates a distinct atmospheric quality. The balance between these synthesized elements and other instrumentation, such as guitars and vocals, is a key aspect of the album's production. Some listeners may find the emphasis on orchestral and electronic textures to be a defining trait, while others might perceive it as overshadowing the more traditional black metal components.

Galder's guitar contributions are present throughout the album. The guitar work, particularly the riffs and lead passages, serves to complement the symphonic arrangements. The visibility of the guitar within the mix, given the layered instrumentation, is a consistent element across the tracks.

The vocal performances by Shagrath also contribute to the album's overall sound. The vocal delivery, encompassing both clean and harsher styles, is integrated within the album's rich sonic tapestry. The interaction between the vocals and the instrumental foundation is a significant aspect of “Abrahadabra's” musical approach.

From a production standpoint, the album features a mix that prioritizes the expansive symphonic elements. This mixing approach influences the prominence of various instruments, with synthesizers often at the forefront.

For those interested in exploring Dimmu Borgir's discography, “Abrahadabra” offers a specific stylistic direction within their body of work. Listeners familiar with previous albums like “Enthrone Darkness Triumphant” or “In Sorte Diaboli” may find “Abrahadabra” to represent a distinct evolution in the band's sound, particularly in its extensive use of orchestral and electronic textures.

Ryan  "Death 8699"  Fanucchi